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Episode Notes for
Anatomy of a Beast
In this episode
- Remembering a monster
- Patterson-Gimlin film “for dummies” overview
- Possible hoaxing-motive for Patterson was that he needed money
- Yeti legend tied directly to efforts at Mt. Everest
- The dual nature of the believer and the strength of belief
The Men Behind the Beast
- Charles Fort
- The man for whom “Fortean phenomena” is named. He chronicled the bizarre and scoffed at science.
- Ivan T. Sanderson
- A naturalist and adventure writer who became obsessed with the unknown and the mysterious. His descriptions of the Yeti profoundly influenced a young Roger Patterson.
- Bernard Heuvelmans
- a Belgian-French explorer often regarded as the father of cryptozoology
- Roger Patterson
- The rancher and entrepreneur who shot the famous Patterson-Gimlin film.
- Bob Gimlin
- Patterson’s friend and fellow bigfoot enthusiast, he was there when the film was shot
- René Dahinden
- A Swiss immigrant to Canada who spent much of his life searching for Bigfoot
- John Green
- a Canadian newspaper man who joined Dahinden in the search and wrote about it
- Peter Byrne
- an Irish tracker who hunted for the Yeti in India before coming to the US and joining the search
- Jerry Crew
- the logger whose camp was plagued by giant foot-prints
- Ray Wallace
- the local who said he was the original foot-print hoaxer at the Jerry Crew site
- Tom Slick
- a wealthy Texas oil-man who funded searches for the Yeti and for bigfoot until his death in an air-crash
- Greg Long
- the author of The Making of Bigfoot who says that a man named Bob Heironimus wore the suit in the film and that the suit itself was provided by costume-maker Phillip Morris and then modified by Patterson
Music
- Theme music “Monster” by Peach Stealing Monkeys
- “Patterson Film for Dummies” music: “Frejas Breakdown” by Freja
- “The Men Behind the Legend” music: “War Drums” by Ben Base.
Correction
In this episode, Peter Byrne is incorrectly called “a Brit” but he is actually Irish.
The views expressed on this program are not necessarily the views of the Skeptics Society or Skeptic magazine.
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